HomerandClaude Opus 5.5
2958be0a23
The editor's vendored modules come from server v2.0.0-beta.4 with the process stub @lezer/lr needs, so languages load and code is highlighted again. Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
617 lines
25 KiB
CSS
617 lines
25 KiB
CSS
/* LLeMbas v2.0.0-beta.4 (7969067f7260) static/css/tokens.css, copied by scripts/fetch-tokens.sh: do not edit.
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The font-face rules are left out; the app bundles no font. */
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/*
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Design tokens.
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Every colour, space and radius in the application resolves through a variable
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declared here. Component CSS must never hard-code a hex value -- that is what
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makes adding a theme a matter of writing one new block rather than auditing
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every stylesheet.
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Themes are selected with data-theme on <html>. `moria` is the default and is
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declared on :root so the page is styled even before the theme script runs.
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*/
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:root {
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/* --- Type ------------------------------------------------------------- */
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/* The chrome -- buttons, navigation, tabs, labels, headings --
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is set in `--font-ui`, a monospace face: "Middle-earth on a terminal".
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What people *read* at length, a reply or a note, stays in `--font-body`,
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because eighty columns of mono prose is tiring and the look is not worth
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that. `--font-display` follows the chrome. */
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--font-ui: "JetBrains Mono", ui-monospace, "SF Mono", "Cascadia Code", Menlo,
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Consolas, monospace;
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--font-display: var(--font-ui);
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--font-body: system-ui, -apple-system, "Segoe UI", Roboto, "Helvetica Neue",
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Arial, sans-serif;
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--font-mono: "JetBrains Mono", ui-monospace, "SF Mono", "Fira Code",
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"Cascadia Code", Menlo, Consolas, monospace;
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--text-xs: 0.75rem;
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--text-sm: 0.8125rem;
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--text-base: 0.9375rem;
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--text-md: 1rem;
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--text-lg: 1.125rem;
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--text-xl: 1.375rem;
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--text-2xl: 1.75rem;
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--leading-tight: 1.25;
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--leading-normal: 1.6;
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--leading-relaxed: 1.75;
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/* --- Space (4px scale) ------------------------------------------------ */
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/* Half a step: the gap between the lines of one tool result, the bleed of a
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mention's highlight. The one place a 2px space is allowed to be named. */
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--sp-half: 0.125rem;
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--sp-1: 0.25rem;
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--sp-2: 0.5rem;
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--sp-3: 0.75rem;
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--sp-4: 1rem;
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--sp-5: 1.25rem;
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--sp-6: 1.5rem;
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--sp-8: 2rem;
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--sp-10: 2.5rem;
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--sp-12: 3rem;
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/* --- Radius & shadow -------------------------------------------------- */
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/* Blocks, not pills. Small on purpose: a corner of 2px reads as
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square at reading distance and still stops an edge looking cut. Avatars and
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dots keep `--radius-full`. */
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--radius-sm: 2px;
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--radius: 2px;
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--radius-md: 3px;
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--radius-lg: 4px;
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--radius-xl: 6px;
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--radius-full: 999px;
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/* Square, on purpose: the sidebar's Chats/Agents switch, which has
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to read as one solid control rather than as two buttons. */
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--radius-none: 0;
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/* How far a block button travels when pressed: into its own shadow, which
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is drawn exactly this far out. The two are one number on purpose. */
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--press: 2px;
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/* The load-state dot on a model's avatar in the model menu. Its colours are
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tokens of their own, defaulting to the theme's success and warning, so
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an instance whose success colour is not green can still say "loaded" in
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green -- that is what people read a dot beside a name as. */
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--model-state-size: 0.625rem;
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--model-state-loaded: var(--success);
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--model-state-loading: var(--warning);
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/*
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--- Controls ----------------------------------------------------------
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Every button, input and select resolves its height from these. That is the
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whole reason things line up: a row of mixed controls has one height, not
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whatever each element's padding and font happened to add up to.
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*/
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--control-h: 2.25rem;
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--control-h-sm: 1.75rem;
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--control-h-lg: 2.75rem;
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--control-px: 0.75rem;
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--control-px-sm: 0.5rem;
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/* --- Layout ----------------------------------------------------------- */
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--sidebar-width: 17.5rem;
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--inspector-width: 24rem;
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/* Wider than the inspector because the content is not prose: eighty columns
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of --font-mono do not fit in 24rem, and a terminal narrower than eighty
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re-wraps everything a program prints. */
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--terminal-width: 34rem;
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--terminal-width-min: 24rem;
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--thread-max-width: 48rem;
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--header-height: 3.5rem;
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/* --- The sizes of things -------------------------------------------------
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Caps and floors that used to be a literal rem in seventy places across
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three stylesheets -- 20, 22, 24, 26 -- with no way to tell which of them
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meant the same thing. A handful of roles instead, and a component takes the
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one that names what it is: a theme can then widen every menu at once, and
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two popovers cannot drift a rem apart by accident. Control heights are
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`--control-h`; these are the boxes around them. */
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--w-field-xs: 8rem; /* a short input: a count, a duration */
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--w-field-sm: 10rem; /* a short select's floor */
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--w-field: 14rem; /* a capped field, a label column, a small menu */
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--w-chip: 16rem; /* a name that truncates: a model, a path */
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--w-menu-sm: 20rem; /* a compact popover, an attachment chip */
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--w-menu: 24rem; /* a popover, a results list, a card's column */
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--w-menu-lg: 28rem; /* a wide popover */
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--w-dialog: 34rem; /* a dialog with a list in it */
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--w-prose-sm: 32rem; /* a short reading measure: an empty state */
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--w-prose: 44rem; /* a reading measure: a lede, a card grid */
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--h-list: 22rem; /* a scrolling list or menu */
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--h-block: 24rem; /* a scrolling block inside a card */
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--h-block-lg: 26rem; /* a reasoning body, a preview */
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--h-media: 20rem; /* a picture in the transcript */
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/* The live reply's two one-line rows -- the waiting row and the metrics --
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keep this height whether or not they have anything in them, so their
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content arriving or leaving never moves the transcript. One line of the
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small type. */
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--row-h: calc(var(--text-xs) * var(--leading-normal) + 2 * var(--sp-2));
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/* A dot that marks state: unsaved, unread. */
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--dot-size: 0.375rem;
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/* The streaming caret: a thin bar the height of a line. */
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--caret-bar-w: 0.45rem;
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/* The drag handle on a panel's edge: how wide, and how far it overhangs the
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panel so the border itself is inside the target. */
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--resize-w: 9px;
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--resize-overhang: 3px;
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/* A faded control: something present but not the point. */
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--opacity-dim: 0.45;
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/* What `--header-height` does at the top of the shell, this does at the
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bottom. The sidebar's footer and the composer sit either side of the same
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vertical line and both are content-sized, so without this they end at
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different heights -- and neither can be made to match the other by
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accident: the footer's height depends on which entries the reader's
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permissions allow, and the composer's on how much they have typed.
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This began as the fix for a broken *line*: both carried a top border, and
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the two met the sidebar's edge at different heights. The borders are gone
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now -- an edge that content scrolls under reads better undrawn than drawn
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and aligned -- and the token stays, because the two ends of the shell
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sitting at different heights is visible without any border to prove it.
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A calc of the pieces the footer is actually built from -- four rows at
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`--control-h`, the gaps between them, and its own padding -- so it stays
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true if those tokens move. Applied as a `min-height` to both: it holds the
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footer at full height even for somebody who sees fewer entries, and lifts
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the composer to meet it. A composer that grows past this as somebody types
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is expected; the input is getting bigger, and nothing is pretending the
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sidebar should follow it. */
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--footer-height: calc(4 * var(--control-h) + 3 * var(--sp-1) + 2 * var(--sp-2));
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/* The terminal's own type. xterm holds this as a number rather than reading
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it from CSS, so terminal.js parses it back out -- it must stay a plain
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pixel value. */
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--terminal-font-size: 13px;
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/*
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--- Stacking ----------------------------------------------------------
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These were four bare numbers scattered across two stylesheets, which is
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fine until something new has to sit between two of them and nobody can
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say what is already there.
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*/
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--z-raised: 5;
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--z-handle: 10;
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--z-dropdown: 30;
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--z-panel: 40;
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--z-toast: 60;
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--transition-fast: 120ms ease;
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--transition: 200ms ease;
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/* --- Borders -----------------------------------------------------------
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A hairline was a literal `1px` in about ninety places, which made it the
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largest category of hard-coded value left in the codebase -- and the one
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thing a theme cannot currently change. */
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--border-w: 1px;
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--border-w-thick: 2px;
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--border-w-accent: 3px;
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/* The focus outline's own width. Not `--border-w-thick`, though they are the
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same number today: an outline is drawn outside the box and takes no space,
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a border is part of the box and does. Making one of them follow the other
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means a theme that wants a heavier border gets a heavier focus ring too,
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which is two decisions tied together by a coincidence. */
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--outline-w: 2px;
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/* How far the focus ring stands off the box it rings. */
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--outline-offset: 2px;
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/* --- Touch --------------------------------------------------------------
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A control a thumb has to hit is 44px. `--control-h` is 2.25rem, which is
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36 -- comfortable with a pointer and under every published minimum for a
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finger -- so the coarse-pointer block at the foot of this file raises the
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control tokens to this rather than patching components one at a time.
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Raising the token is the only version that reaches all of them, and it is
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what `--control-h` exists for. */
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--tap-min: 2.75rem;
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/* A tick box, which does not take its size from `--control-h`: the browser
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draws it and only `width`/`height` move it. */
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--check-size: 1rem;
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/* --- Controls as a family -----------------------------------------
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The dropdown's caret is a solid ▾ drawn with two gradients rather than a
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glyph -- a <select> takes no pseudo-element -- and it sits behind a rule,
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`[ value │ ▾ ]`, so a select reads as a field with a handle rather than as a
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button. `--caret-gutter` is everything to the right of the value: the rule,
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the caret, and the padding between them, so `padding-right` and the
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background positions are computed from one number. */
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--caret-w: 0.6rem;
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--caret-h: 0.3rem;
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--caret-gutter: 2.25rem;
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/* --- The window's own edges ---------------------------------------------
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Installed on a phone, the page runs under the notch and the home
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indicator: base.html asks iOS for `black-translucent`, which is what puts
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it there, and `viewport-fit=cover` is what lets these resolve to anything
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but zero. Declared here so no component spells `env()` out -- and so a
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desktop browser, where all four are 0, costs nothing. */
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--safe-top: env(safe-area-inset-top, 0px);
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--safe-right: env(safe-area-inset-right, 0px);
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--safe-bottom: env(safe-area-inset-bottom, 0px);
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--safe-left: env(safe-area-inset-left, 0px);
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/* --- Breakpoints --------------------------------------------------------
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A media query cannot read a custom property, so these cannot be *used*
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here. They are declared anyway so the numbers have one home and a grep for
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one lands somewhere that says what it means -- and
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`tests/test_layout_bounds.py` refuses a width in any stylesheet that is not
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declared here, so a fourth breakpoint invented in passing fails the suite
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rather than joining the set unannounced.
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--bp-admin 44rem 704px a two-column reference row stacks
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--bp-narrow 48rem 768px the sidebar becomes a drawer, and controls
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grow to a thumb's size
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--bp-wide 64rem 1024px the right-hand panels become overlays */
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--bp-admin: 44rem;
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--bp-narrow: 48rem;
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--bp-wide: 64rem;
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/* --- Motion -------------------------------------------------------------
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Durations and curves, so the `prefers-reduced-motion` block at the foot of
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this file keeps covering everything by construction: a literal `1.6s` in a
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component is a value that block can still neutralise, but one nobody can
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tune. `--ease-out` is the one to reach for -- something arriving should
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decelerate; `--ease-spring` overshoots slightly and belongs on a thing
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that appears, never on a thing that moves under the pointer. */
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--ease-out: cubic-bezier(0.22, 0.61, 0.36, 1);
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--ease-in-out: cubic-bezier(0.65, 0.05, 0.36, 1);
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--ease-spring: cubic-bezier(0.34, 1.56, 0.64, 1);
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--dur-1: 120ms;
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--dur-2: 200ms;
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--dur-3: 320ms;
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--dur-slow: 1.6s;
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/* --- Panel minimums -----------------------------------------------------
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`api/preferences.py:LAYOUT_BOUNDS` allows four panels' widths to be stored
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against an account and only two of them -- the two with a drag handle --
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had a `-min` token or a `min-width` to clamp with. The other two are not
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draggable, so nothing in the interface could produce a bad value; but the
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endpoint takes one from anybody signed in, `base.html` applies stored
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widths to <html> before first paint, and with no clamp a stored 800px
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sidebar is one nothing in the application can drag back. */
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--sidebar-width-min: 12.5rem;
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--inspector-width-min: 17.5rem;
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/* The focus treatment, written once. Three components spelled it out. It
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resolves --accent-soft at the point of use, so it follows the theme even
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though it is declared above them. */
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--ring: 0 0 0 3px var(--accent-soft);
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}
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/*
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---------------------------------------------------------------------------
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MORIA (default, dark)
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The halls under the mountain on a terminal screen: stone-black surfaces kept
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near-neutral so the ithildin and mallorn accents carry all the colour, and
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the doors themselves drawn in moon-letter pixels on the empty screens.
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---------------------------------------------------------------------------
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*/
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:root,
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:root[data-theme="moria"] {
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color-scheme: dark;
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/* "Ithildin phosphor": stone-black, with the moon-letters' silver
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cyan for focus and the primary action and a phosphor leaf for the brand.
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Contrast measured, not eyeballed -- ink is 15.7:1 on bg, ink-faint 5.4:1 on
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a card, border-strong 3.3:1. */
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--bg: #0B0D10;
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--bg-sunken: #07090B;
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--surface: #11151A;
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--surface-raised: #171C22;
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--surface-hover: #1D232B;
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--surface-active: #232B34;
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--border: #26303A;
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/* Bright enough to be an edge (3:1 on a card): the blocky look is drawn in
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edges, and a 1.9:1 hairline disappears on a dim screen. */
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--border-strong: #5C6976;
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--ink: #E2E8EC;
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--ink-muted: #A6B2BC;
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--ink-faint: #808D98;
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--ink-inverse: #07090B;
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/* Ithildin: the cool primary, focus and interactive accents. */
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--accent: #8FD8E8;
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--accent-hover: #B4E6F1;
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--accent-ink: #061418;
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--accent-soft: rgba(143, 216, 232, 0.12);
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/* Selected text where the glyphs are drawn by something other than the
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selection -- the composer, whose visible text is its mirror. Stronger
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than --accent-soft, which is a tint for a background nobody has to find. */
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--selection: rgba(143, 216, 232, 0.32);
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/* Mallorn: the brand, the assistant's mark, the leaf badges -- phosphor
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green on the dark, the colour of an old terminal's text. */
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--leaf: #7EE081;
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--leaf-hover: #A2EAA3;
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--leaf-soft: rgba(126, 224, 129, 0.12);
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--danger: #F0735F;
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--danger-hover: #F4907F;
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--danger-soft: rgba(240, 115, 95, 0.13);
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/* Teal, a hue away from the leaf: a dot beside a brand badge has to be
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tellable from it at a glance. */
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--success: #5FD6B0;
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--success-soft: rgba(95, 214, 176, 0.13);
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/* Forge amber. */
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--warning: #F0A840;
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--warning-soft: rgba(240, 168, 64, 0.13);
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--bubble-user: #161C23;
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--bubble-assistant: transparent;
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--code-bg: #07090B;
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--code-border: #26303A;
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--shadow-sm: 0 1px 2px rgba(0, 0, 0, 0.5);
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--shadow: 0 4px 14px rgba(0, 0, 0, 0.5);
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--shadow-lg: 0 12px 34px rgba(0, 0, 0, 0.6);
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/* Blocks: a hard offset shadow, `--press` out, that a button presses into.
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On the dark the accent one also glows -- ithildin shows by its light. */
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--shadow-block: var(--press) var(--press) 0 rgba(0, 0, 0, 0.55);
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--shadow-block-accent: var(--press) var(--press) 0
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color-mix(in srgb, var(--accent) 28%, transparent),
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0 0 22px -6px color-mix(in srgb, var(--accent) 55%, transparent);
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--shadow-block-lg: 6px 6px 0 rgba(0, 0, 0, 0.6),
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0 0 40px -12px color-mix(in srgb, var(--accent) 30%, transparent);
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/* The two mostly-empty screens -- a new chat, signing in -- sit on a
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screen: fine scanlines over a grid that fades out from the middle, lit
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faintly from the top. Mixed from the accent so a custom theme on this base
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gets its own colour. Nowhere else: a conversation is read for hours. */
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--texture-screen:
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repeating-linear-gradient(0deg, rgba(0, 0, 0, 0.22) 0 1px, transparent 1px 3px),
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radial-gradient(ellipse 60% 45% at 50% 18%,
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color-mix(in srgb, var(--accent) 10%, transparent), transparent 70%),
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radial-gradient(ellipse 75% 65% at 50% 35%, transparent 45%, var(--bg) 92%),
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linear-gradient(color-mix(in srgb, var(--accent) 5%, transparent) 1px, transparent 1px)
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0 0 / 24px 24px,
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linear-gradient(90deg, color-mix(in srgb, var(--accent) 5%, transparent) 1px,
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transparent 1px) 0 0 / 24px 24px,
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var(--bg);
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--glow-title: 0 0 18px color-mix(in srgb, var(--accent) 35%, transparent);
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/* The pixel artwork's colours. Each drawing is a set of named roles
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(scripts/build_artwork.py); a theme only supplies these. */
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--art-leaf: #7EE081;
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--art-leaf-dark: #4FAE5A;
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--art-leaf-light: #B6F2A6;
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--art-vein: #D8FFD0;
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--art-line: #8FD8E8;
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--art-faint: #4F8794;
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--art-star: #EAFCFF;
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--art-glow: rgba(143, 216, 232, 0.55);
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--scrim: rgba(5, 7, 9, 0.7);
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/*
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The sixteen ANSI colours, for the terminal panel.
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A shell picks its own colours -- `ls --color`, a git diff, htop's meters --
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and until these existed it got xterm's defaults, which are a different
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palette from this one and read as a foreign window pasted into the
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application. Where a slot has an obvious counterpart above it takes it, so
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an error in the terminal is the same ember as an error anywhere else.
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"black" is not #000: it is what a program picks for a dim background or
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faint text, and on a near-black surface a true black is invisible.
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*/
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--ansi-black: #1A1F26;
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--ansi-red: #F0735F;
|
|
--ansi-green: #7EE081;
|
|
--ansi-yellow: #F0A840;
|
|
--ansi-blue: #7AA7E8;
|
|
--ansi-magenta: #C79BE0;
|
|
--ansi-cyan: #8FD8E8;
|
|
--ansi-white: #C6CDD4;
|
|
--ansi-bright-black: #5C6976;
|
|
--ansi-bright-red: #F4907F;
|
|
--ansi-bright-green: #A2EAA3;
|
|
--ansi-bright-yellow: #F5C06E;
|
|
--ansi-bright-blue: #9CC0F0;
|
|
--ansi-bright-magenta: #DBBBEB;
|
|
--ansi-bright-cyan: #B4E6F1;
|
|
--ansi-bright-white: #E2E8EC;
|
|
}
|
|
|
|
/*
|
|
---------------------------------------------------------------------------
|
|
SHIRE (light)
|
|
|
|
Parchment, ink and moss, printed in one bit: warm and easy to read for a
|
|
long time, with hard ink edges where Moria glows. Backgrounds are
|
|
deliberately off-white -- pure #FFF next to the leaf accent reads as
|
|
clinical rather than as paper.
|
|
---------------------------------------------------------------------------
|
|
*/
|
|
/*
|
|
`[data-base="shire"]` as well as `[data-theme="shire"]`, and that second
|
|
selector is what makes a custom theme possible. A custom theme is a handful of
|
|
token overrides served from /branding.css; everything it does not set has to
|
|
come from somewhere, and Moria's block above matches bare `:root` so it always
|
|
applies. Without this a custom *light* theme would be four light colours on
|
|
near-black surfaces. `<html>` carries both attributes -- see base.html and
|
|
app.js:applyTheme.
|
|
*/
|
|
:root[data-theme="shire"],
|
|
:root[data-base="shire"] {
|
|
color-scheme: light;
|
|
|
|
/* "1-bit almanac": parchment and ink, a door-green primary, moss
|
|
for the brand, brass for warnings -- and ink-black block shadows, which is
|
|
what makes it read as printed. Ink is 13.9:1 on bg, ink-faint 5.6:1. */
|
|
--bg: #F1EAD6;
|
|
--bg-sunken: #E7DEC6;
|
|
--surface: #F8F3E5;
|
|
--surface-raised: #FCF9F0;
|
|
--surface-hover: #ECE4CF;
|
|
--surface-active: #E2D8BD;
|
|
|
|
--border: #CBBF9D;
|
|
/* Ink, not a darker parchment: the blocks are drawn in it. */
|
|
--border-strong: #2A2E22;
|
|
|
|
--ink: #1F2418;
|
|
--ink-muted: #474D3B;
|
|
--ink-faint: #5E6250;
|
|
--ink-inverse: #F8F3E5;
|
|
|
|
/* The round door's green: the primary. */
|
|
--accent: #285F3C;
|
|
--accent-hover: #1F4D30;
|
|
--accent-ink: #F8F3E5;
|
|
--accent-soft: rgba(40, 95, 60, 0.1);
|
|
--selection: rgba(40, 95, 60, 0.24);
|
|
|
|
/* The same mallorn as moss, dark enough to be text on parchment. */
|
|
--leaf: #3D6B1C;
|
|
--leaf-hover: #2F5615;
|
|
--leaf-soft: rgba(61, 107, 28, 0.1);
|
|
|
|
--danger: #A3321F;
|
|
--danger-hover: #862818;
|
|
--danger-soft: rgba(163, 50, 31, 0.1);
|
|
|
|
--success: #2B6A55;
|
|
--success-soft: rgba(43, 106, 85, 0.1);
|
|
/* Brass. */
|
|
--warning: #7E5200;
|
|
--warning-soft: rgba(126, 82, 0, 0.1);
|
|
|
|
--bubble-user: #ECE4CF;
|
|
--bubble-assistant: transparent;
|
|
--code-bg: #F1EAD6;
|
|
--code-border: #CBBF9D;
|
|
|
|
--shadow-sm: 0 1px 2px rgba(42, 46, 34, 0.1);
|
|
--shadow: 0 4px 14px rgba(42, 46, 34, 0.12);
|
|
--shadow-lg: 0 12px 34px rgba(42, 46, 34, 0.18);
|
|
|
|
/* On paper the block shadow is solid ink: one bit, no blur. */
|
|
--shadow-block: var(--press) var(--press) 0 var(--border-strong);
|
|
--shadow-block-accent: var(--press) var(--press) 0 var(--border-strong);
|
|
--shadow-block-lg: 6px 6px 0 var(--border-strong);
|
|
|
|
/* A fine dot dither in place of Moria's scanlines, fading at the edges. */
|
|
--texture-screen:
|
|
radial-gradient(ellipse 80% 70% at 50% 30%, transparent 50%, var(--bg) 95%),
|
|
radial-gradient(color-mix(in srgb, var(--ink) 14%, transparent) 0.8px, transparent 1.1px)
|
|
0 0 / 6px 6px,
|
|
var(--bg);
|
|
--glow-title: none;
|
|
|
|
--art-leaf: #4F8A2A;
|
|
--art-leaf-dark: #2F5E1A;
|
|
--art-leaf-light: #86B553;
|
|
--art-vein: #E9F2C8;
|
|
--art-grass: #5D9A3A;
|
|
--art-grass-light: #86B553;
|
|
--art-grass-dark: #3F7428;
|
|
--art-sky: #CFE3E8;
|
|
--art-sun: #E8B84A;
|
|
--art-frame: #5A4425;
|
|
--art-door: #2F6B3E;
|
|
--art-door-dark: #24553A;
|
|
--art-brass: #E8B84A;
|
|
--art-window: #F3D27A;
|
|
--art-path: #B89A6A;
|
|
--art-flower-a: #D9534F;
|
|
--art-flower-b: #F0C94A;
|
|
|
|
--scrim: rgba(31, 36, 24, 0.4);
|
|
|
|
/*
|
|
The same sixteen on parchment, and the reason they are not the Moria set
|
|
lightened: every one of these has to be readable as *text* on the code
|
|
background, so the whole palette is darkened rather than brightened.
|
|
"bright" therefore means more emphatic here, not lighter -- a light
|
|
terminal theme that made bright yellow actually bright would render it
|
|
invisible.
|
|
*/
|
|
--ansi-black: #1F2418;
|
|
--ansi-red: #A3321F;
|
|
--ansi-green: #3D6B1C;
|
|
--ansi-yellow: #7E5200;
|
|
--ansi-blue: #2F5D86;
|
|
--ansi-magenta: #74336A;
|
|
--ansi-cyan: #2B6A55;
|
|
--ansi-white: #474D3B;
|
|
--ansi-bright-black: #6F6A55;
|
|
--ansi-bright-red: #862818;
|
|
--ansi-bright-green: #2F5615;
|
|
--ansi-bright-yellow: #634000;
|
|
--ansi-bright-blue: #244A6C;
|
|
--ansi-bright-magenta: #5C2853;
|
|
--ansi-bright-cyan: #1F5443;
|
|
--ansi-bright-white: #2A2E22;
|
|
}
|
|
|
|
/*
|
|
--- Touch -----------------------------------------------------------------
|
|
A pointer is precise and a finger is about 9mm across, so the same control
|
|
cannot be the right size for both. `--control-h` is 36px, which is comfortable
|
|
with a mouse and under every published minimum for a thumb; `--control-h-sm`
|
|
is 28px, which is a target most people miss.
|
|
|
|
Raised here rather than patched per component, because there are upwards of
|
|
forty of them and the next one added would be 36px again. `--control-h` is
|
|
what every button, input and select resolves its height from, so one block
|
|
moves all of them -- which is the reason that token exists.
|
|
|
|
Two conditions, either of which is enough.
|
|
|
|
`(pointer: coarse)` is the honest one: it is the input device that decides how
|
|
big a target has to be, and a touchscreen laptop at 1440px has the same thumb
|
|
as a phone. But a layout below the phone breakpoint is a one-column, drawer-
|
|
navigated layout whatever is pointing at it -- there is room for bigger
|
|
controls and every reason to use it -- and that half is also the half a
|
|
headless browser can be made to prove, which is not nothing: a rule that can
|
|
only be checked by holding a phone is a rule that quietly rots.
|
|
*/
|
|
@media (pointer: coarse), (max-width: 48rem) {
|
|
:root {
|
|
--control-h: var(--tap-min);
|
|
/* 40px, not the 36 a comfortable pointer gets. A `.btn--sm` is a secondary
|
|
action, not an unimportant one -- Edit, Enable and Use default are all
|
|
`.btn--sm`, and on a phone they are the whole interaction. */
|
|
--control-h-sm: 2.5rem;
|
|
--control-px: var(--sp-4);
|
|
--control-px-sm: var(--sp-3);
|
|
/* A native checkbox is 13-16px whatever the surrounding type is, and no
|
|
amount of padding on its label changes the box itself. It is the
|
|
smallest target in the application on a phone by some margin. */
|
|
--check-size: 1.375rem;
|
|
}
|
|
}
|
|
|
|
/* Respect a stated preference for reduced motion everywhere, at once. */
|
|
@media (prefers-reduced-motion: reduce) {
|
|
*,
|
|
*::before,
|
|
*::after {
|
|
animation-duration: 0.01ms !important;
|
|
animation-iteration-count: 1 !important;
|
|
transition-duration: 0.01ms !important;
|
|
scroll-behavior: auto !important;
|
|
}
|
|
/* The motion tokens too, for anything that composes a duration rather than
|
|
declaring one -- a `transition: transform var(--dur-3)` is neutralised by
|
|
the rule above, but an `animation-delay` built from one is not. */
|
|
:root {
|
|
--dur-1: 0.01ms;
|
|
--dur-2: 0.01ms;
|
|
--dur-3: 0.01ms;
|
|
--dur-slow: 0.01ms;
|
|
--transition-fast: 0.01ms;
|
|
--transition: 0.01ms;
|
|
--transition-slow: 0.01ms;
|
|
}
|
|
}
|